Despite being only 5′ 4¾”, Sara Waisglass’s on-screen persona is noticeably bigger than her actual height. Her energy, humor, and unadulterated vulnerability frequently leave a deeper impression than actors twice her height, and there’s something especially captivating about the way she takes up space in every scene. It serves as a reminder that charisma has always required heels, particularly in television.
At the age of seven, Sara made her acting debut in a KFC commercial, which was a surprisingly modest beginning for someone who would later co-star with John Malkovich in the intense movie Afterwards. The versatility she would later exhibit was predicted by her early ability to adjust to emotionally charged material. It’s interesting to note that fans are frequently surprised by the range of her acting career rather than just her height. She has already established a career characterized by emotional range and unexpected depth, from the children’s comedy Overruled! to the emotionally complex Ginny & Georgia on Netflix.
Sara Waisglass Personal & Career
| Category | Details |
|---|---|
| Full Name | Sara Waisglass |
| Date of Birth | July 3, 1998 |
| Age | 26 years old |
| Birthplace | Toronto, Ontario, Canada |
| Nationality | Canadian |
| Height | 5′ 4¾″ (1.65 m) |
| Profession | Actress, Screenwriter |
| Known For | Degrassi, Ginny & Georgia, Mary Goes Round |
| Years Active | 2007–present |
| Notable Roles | Frankie Hollingsworth, Maxine Baker, Jordy Cooper |
| Awards/Nominations | Young Entertainers Award nominee (2016) |
| Education | Studying screenwriting and story structure |
| Religion | Jewish |
| Official Reference | IMDb – Sara Waisglass |
When she joined Degrassi, one of Canada’s most renowned teen franchises, her height became an almost ironic footnote. Waisglass, who was cast as Frankie Hollingsworth, enthralled viewers for six seasons. She was never constrained by her size; on the contrary, it increased her relatability. She was relatable to viewers, especially young girls. Among a group of equally dynamic actors, she was neither tall nor statuesque, and she held her ground with ease. She was eventually nominated for a Young Entertainers Award in 2016 for the role.
In Ginny & Georgia, Waisglass played Maxine “Max” Baker, challenging the stereotypes surrounding physical typecasting once more. Max is unquestionably loyal, loud, eccentric, and painfully honest. She is also one of the most overtly gay characters on a popular Netflix series, and her sensitivity and joy are both relevant and incredibly impactful. In many respects, Sara’s grounded presence feels like a natural extension of Max’s physicality—her frantic energy, the way she bounces through dialogue.
Waisglass is just as dynamic off camera. With a strong interest in story structure and screenwriting, she studies narrative design and writes scripts in her spare time. Seeing a twentysomething actress so focused on mastering the pen as much as the performance is especially inventive. Perhaps what makes her unique is that she is a performer and writer, a distinction that is extremely uncommon, particularly among young Canadian actresses.
Her public persona is further enhanced by her Jewish heritage. Particularly when it comes to Jewish women who don’t fit into preconceived notions, representation in Hollywood has frequently lacked both depth and visibility. Sara moves confidently through this terrain without drawing attention to herself or running away from it. By doing this, she provides a remarkably similar sense of visibility and belonging to her followers, many of whom are also from marginalized identities.
In spite of his diminutive size, Waisglass exudes an aura that frequently reads much taller. Casting directors became aware of it early on. Stefan Brogren, the producer of Degrassi, said she had been trying out for years. In the end, the writers created a role especially for her rather than trying to fit her into an already-existing mold. Fans frequently recite that story, which demonstrates the impact of her talent—making room where none existed before.
Her story is in line with an increasingly prevalent trend in the industry. Young stars of today are taking more and more charge of their careers by writing, directing, and producing while also defying antiquated industry norms. Sara is a member of this generation of extraordinarily versatile artists who are completely changing the entertainment industry, much like Zendaya, who broke away from her Disney roots to win an Emmy for Euphoria, or Florence Pugh, who infuses independent and Marvel projects with Shakespearean energy.
Waisglass is a welcome change in the current celebrity landscape, which is frequently dominated by appearance rather than content. One script, one role, one line at a time, she is creating a multi-hyphenate legacy while also modeling for independent brands like “Youth Apparel” and posting selfies on Instagram. Her career is more of a well-paced marathon than a sprint because of her remarkably resilient comedic timing and dramatic instinct.
Because we still, in many ways, expect female success to come in tall packaging, the commotion surrounding her height reflects a deeper societal fixation. At 5′ 4¾”, Waisglass serves as a reminder that one’s height is only as strong as the self-assurance it exudes. She wears certainty instead of stature.
She auditioned for almost every female role before being cast, shared her birthday with fellow Degrassi alum Alex Steele, and even set the Kim Possible beep as her ringtone. These human details give the public figure more depth and reveal an approachable—even charmingly awkward—side of the celebrity. A young woman honing her skills while navigating a very competitive field and never losing sight of the passion that led her to this point.
